Sanremo, the wait for the IX concert of San Romolo at the Casino Theater grows

Sanremo, the wait for the IX concert of San Romolo at the Casino Theater grows

Sanremo. Expectations are growing for the 9th concert of San Romolo (from an idea by Freddy Colt), scheduled for Sunday (Sanremo Casino Opera Theater, at 6 pm) and organized by the Sanremo Lirica Association, in collaboration with the Circolo Ligustico Art and Environment, and with the patronage of the Famija Sanremasca, the Consulta Ligure and the Municipality of Sanremo.

The Association chaired by Maestro Cesare Depaulis presents to the city - on the occasion of the patronal celebrations - a concert of famous opera arias and symphonies, with the soloists Fiorella Di Luca (soprano), Teresa Romano (soprano) and Dario Prola (tenor ), and with the Sanremo Lirica Orchestra.

From the Symphony from Il Barbiere di Siviglia (G. Rossini) to "O don fatale", aria from Don Carlos (G. Verdi), from "Suzel, buon dì", duet from L'Amico Fritz (P. Mascagni) to " They call me Mimì ", aria from La Bohème (G. Puccini), to get to" Belle nuit ", boat from Les Contes d'Hoffmann (J. Offenbach), to Sinfonia da Nabucco (G. Verdi), to" Nessun dorma ", Air from Turandot (G. Puccini), to" Here is the altar ... Now sweet ", duet by Andrea Chénier (U. Giordano): a very rich program that will not fail to delight the refined palates of the Sanremo public, which in events so far products have shown that they know how to appreciate the high quality offered by the Sanremo Lirica Association.

Winner of the first prize at the "Agostino Lazzari" International Opera Competition in Genoa and the 10th Sanremo International Opera Festival, she sang the most important roles such as Un "Ballo in Maschera" (Oscar), "L'elisir d'amore "(Adina)," Rigoletto "(Gilda)," Traviata "(Violetta)," Bohème "(Musetta) Wedding of Figaro (Contessa), Falstaff (Nannetta)," Don Pasquale "(Norina)," Don Giovanni "( Donna Anna, Zerlina), "Madama Butterfly" (Cio-cio-san), Verdi's "Otello" (Desdemona), performing with the most important Italian orchestras. He sang with the major Italian artists, including: Leo Nucci, Luciana Serra, Daniela Dessì, F. Armiliato, Angelo Romero, Katia Ricciarelli.

Very young, in a few years of her career, she made her main repertoire roles in the most important Italian and foreign theaters, alongside musicians such as Claudio Abbado, Jeffrey Tate, Riccardo Muti, Placido Domingo, Daniele Gatti, Ambrogio Maestri. Her debuts include: Fiordiligi in Mozart's "Thus Fan Tutte", Alice in Verdi's "Falstaff", Madama Cortese in Rossini's "Il Viaggio a Reims", Vitellia in Mozart's "La Clemenza di Tito", Margherita in "Mefistofele "By Arrigo Boito, Leonora in" La Forza del Destino "and" Il Trovatore "by Verdi, Amelia in" Un Ballo in Maschera "by Verdi, the Marchesa del Poggio in" Un Giorno di Regno "by Verdi, Turandot in the masterpiece of Puccini and Santuzza in Mascagni's "Cavalleria rusticana". She was the winner of the most important national and international competitions, including the "Verdian Voices" of Busseto, the "Viotti" of Vercelli, the "Elizabeth Connell" competition of Sidney. Among the theaters that have seen the protagonist are the Teatro alla Scala, the San Carlo Theater in Naples, the La Fenice Theater in Venice, the Sferisterio Arena in Macerata, the Opera House in Rome, the Marseille Opera, the Arena di Verona, the Teatro Regio di Parma, as well as the RAI Auditorium of Turin and the Martina Franca Festival.

He began studying singing under the guidance of Vittorio Marciano at the Accademia della Voce in Turin. He followed master classes with Claudio Desderi, Sherman Lowe and Katia Ricciarelli. In November 2014 he was a finalist awarded at the Salvatore Licitra International Competition and winner of the Magda Olivero International Competition. Continuing his studies, the voice has expanded to find its natural place in the lyrical repertoire that allows him to face roles such as Canio in Iccicci, Calaf in Turandot, Cavaradossi in Tosca, Des Grieux in Manon Lescaut, Don Alvaro in La strength of destiny. , Radames in Aida, Manrico in Il Trovatore, Verdi's Requiem Mass. He has performed in various theaters, among which the Regio of Turin, La Fenice of Venice, the Manuel of Malta, the Magnani of Fidenza, the Alfieri of Asti.

In 2015 Calaf made its debut in Turandot at the July Musical Trapani. In 2016 Radames made his debut in Aida in Cluj Napoca and Pinkerton in Butterfly in Trapani. He performs, with the AsLiCo, some performances by Turandot. In 2017 Butterfly made its debut in Bucharest, Turandot in Kiel, Turandot in Oman, and in 2018 Trovatore in Trieste, Aida in Tunisia and Trapani, Canio in I Pagliacci, Kiel's 2018/19 inauguration. In 2019 Pagliacci in Kiel, Turandot in Chemnitz, Andrea Chénier and Carmen (Don José) in Trieste. Since 2004 he has collaborated with the Teatro Regio of Turin, as assistant director for the staging in April 2005 of The love of the three kings, and since October as assistant stage director for the staging of Aida, Manon Lescaut and La Bohème.

After studying in clarinet, composition and conducting he moved to the United States, where he graduated from the Cleveland Institute of Music and worked as an assistant at the Cleveland Opera Theater for the productions of "Tosca" and "La Bohème "By Puccini and" A Streetcar named desire "by André Previn. He also worked as an assistant for "The Elixir of Love" at the "Opera Western Reserve". In Italy he worked as an assistant at the Conservatory of Milan and with his partner VociAllOpera for the productions of "L’Elisir d'amore", "Rigoletto", "The Barber of Seville", "La Bohème". He has performed in the direction of orchestras such as the Sanremo Symphony Orchestra, the Cleveland Institute of Music Orchestra, the North Czech Philharmonic Orchestra, the Eastern Festival Orchestra.

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